
Animator: Randy Haycock
Character: Moana (test)
Film: Moana (2016)
Studio: Walt Disney Animation Studios
Video: http://randyhaycock.tumblr.com/post/153572409839/another-traditional-character-exploration-test

Animator: Randy Haycock
Character: Moana (test)
Film: Moana (2016)
Studio: Walt Disney Animation Studios
Video: http://randyhaycock.tumblr.com/post/153572409839/another-traditional-character-exploration-test


This is literally the most bomb-ass D&D story I’ve ever read in my life oh my god.
Holy shit ._.
Some RP sessions have better stories than actual fiction. I mean, goddamn.
For those having trouble reading the text:
We had a campaign in D&D where we assembled a steampunk-ish time machine. After many sessions travelling through time, uncovering mysteries and learning harsh lessons about changing history, we had to stop a time-travelling cult from destroying the gods, and therefore the world. We failed.
Our machine crashed, we were stranded earlier than we had ever been able to travel. We found the Gods, but only a few of them were present – it was as if some had never existed. Then we realised – we had to become those Gods. Our party was entirely divine (Cleric, Paladin, Avenger, Invoker), and each of us was a worshipper of a god who had been unmade – and we were the only people in existence with enough knowledge of the forgotten deities to assume their roles.
But two of the players were worshippers of Io (in his twin forms of Tiamat and Bahamut, who would of course form later after Io’s ‘death’), and only one could become Io. The other would have to be the un-created Asmodeus.
So the most just, honourable and dedicated Lawful Good paladin I’ve ever seen roleplayed became the god of tyranny and evil. If he hadn’t, the gods would never have defeated the primordials, and the world would never have been completed.
In our setting, Asmodeus is every bit the epitome of evil you would expect him to be. Nobody but the gods who abide his presence know him as otherwise. He adheres to his role because he knows he has to – and that in doing so, the world can exist. He can never tell anyone his duty, and no-one who knows can ever discuss it.
In the farthest recesses of the Nine Hells, in a chamber sealed tighter than any other in existence is a pocketwatch of finest gnome craft with a photo of his family in it – his wife, son, and little baby girl.
They were killed by an orc army marching under the orders and banner of Asmodeus. Their deaths are what drove him to become an adventurer.

The White Glove (1921). George Lambert (Australian, 1873-1930). Oil on canvas. Art Gallery of NSW, Sydney.
This woman of fashion has an arresting vitality. Her luscious blue stole, elegant feathered hat and jewelled ring contribute to the work a sense of opulence. Her flamboyant pose, with her head slightly tilted back and poised to one side, matches her vivacious personality. Her eyes appear to be laughing in accord with her smile and she seems to be deliberately hamming it up for the artist.
drowning like a soldier, weighed down by my debts and the worlds problems in place of metal and cloth
Burning like a witch, rising up by my magic and smoke in place of an altar and coffin.
Bleeding like a traitor, slashed in half by my lies and secrets in place of a knife and sword.
Rising like a god, defined only by myself in place of lying subjects and manipulative sinners.
